Pimp the DSP engine Sample-Library

Share your ideas, sounds, patterns, samples and tips here!

Moderator: Jörg Schaaf

Postby Administrator » Tue May 22, 2007 7:25 pm

Hi Josh,

sorry for the "germish" trouble. After placing an order you are receiving an email with the bank account information and the amount in Euro. After receiving the payment the Sample library will be delivered. If you still have a question don't hesistate to contact me directly at webmaster(at)joergschaaf.de.

I will update the shop information soon....
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Postby Josh » Tue May 22, 2007 8:49 pm

I sent an email to webmaster(at)joergschaaf.de because I cannot understand the email sent me by the website.
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Postby Administrator » Tue May 22, 2007 10:03 pm

Hi Josh,

you got mail...

Take care,

Joerg
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Postby Jörg Schaaf » Wed May 23, 2007 10:43 am

Hi DA303,

so far, we are not offering additional payment methods. Rico is only doing a very small business. Maybe that will change in the future. ;-)

I am currently preparing a new hybrid synth bank with 100 new patches. But this set will become available for free of charge.
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Postby Jörg Schaaf » Wed May 23, 2007 11:16 am

Thanks!

Are you from London? I have a friend living there. Maybe we find a workaround for your payment trouble. Just drop me an email or a pm.
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Sample Library Vol. 1

Postby Dayflight » Sun Jun 17, 2007 7:37 pm

:D :D :D :D
The new Sample Library Vol. 1 is fantastic :D and a real must for all Spectralis user. The samples (e.g. Tomita SLI) will bring the Specki to
a new level of sound machine. A real must!!! :D
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Postby mc_kwok » Tue Jun 19, 2007 9:47 pm

Not done checking all the sounds yet, but till so far, the sound library is very impressive. Contains some instant "tangerine dream" sounds ;). Sound checking is not very easy though, but the soundbanks are helpful. Nice job.
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Postby Jörg Schaaf » Wed Jun 20, 2007 9:25 am

THANKS!! I hope, you enjoy the new sounds and samples. Do you already recognized the Bonus Folder with the Hybrid Synth Sounds?
I was a big Fan of Tangerine Dream back in the 70s and beginning of the eighties. That still influences my sound programming a lot.
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